Experience the sonic journey as DIMMU BORGIR drops their much-anticipated cover album, “Inspiratio Profanus,” available now. This release compiles eight cover songs, a homage to some of DIMMU BORGIR’s favorite tracks that have left an indelible mark on their musical journey.
Silenoz, commenting on “Inspiratio Profanus,” shares the band’s excitement: “We’re pleased to announce the Inspiratio Profanus release! We thought it was about time to finally compile the cover songs we’ve done over the years and give these renditions an updated mastering, all in one package, highlighting some of our many influences!”
Tracklist:
Black Metal (Venom)
Satan My Master (Bathory)
Dead Men Don’t Rape (G.G.F.H.)
Nocturnal Fear (Celtic Frost)
Burn In Hell (Twisted Sister)
Perfect Strangers (Deep Purple)
Metal Heart (Accept)
Nocturnal Fear (Celtically Processed) (Celtic Frost)
About DIMMU BORGIR: DIMMU BORGIR, born in the heart of the Norwegian black metal scene in 1993, celebrates its 30th anniversary. Known for pushing the boundaries of the genre, they blend a traditional raven black sound with symphonic orchestration. With albums like “Enthrone Darkness Triumphant,” “Spiritual Black Dimensions,” and “Death Cult Armageddon,” DIMMU BORGIR has become an influential force, touring globally and leaving an indelible mark on the black metal landscape.
After the success of “Abrahadabra” and “Eonian,” DIMMU BORGIR now reflects on their 30-year legacy with “Inspiratio Profanus,” a collection of cover songs that pays tribute to the influential artists who shaped their distinctive sound. Experience the electric renditions of classics like ‘Black Metal’ (VENOM) and ‘Perfect Strangers’ (DEEP PURPLE) that define the evolution of DIMMU BORGIR’s musical odyssey.
Arizona death metallers JOB FOR A COWBOY return after a near decade long hiatus with their brand new single and accompanying video for [“The Agony Seeping Storm”](insert video link). The track comes by way of the band’s first new full-length in a decade, set for release in 2024 via Metal Blade Records!
JOB FOR A COWBOY released their Sun Eater full-length in 2014. The record received an overwhelmingly positive response, with [Decibel Magazine](insert Decibel Magazine website link) confessing, “Fuck it, I can admit when I’m wrong… while I was busy pointedly not paying attention to them, these deathcore progenitors actually became a pretty damn good band.” In a 4.5/5 review, [Alternative Press](insert Alternative Press website link) championed, “a full-on progressive death metal band… the songs have progressive sweep and epic power, at times recalling Opeth’s heavier work,” adding, “Sun Eater is one of 2014′s best metal albums, period,” while [Metal Injection](insert Metal Injection website link) hailed an album, “that will be a solid brick in the foundation of the death metal genre with no gimmicks or trends to back it up.”
Ten years later, the band returns with their most volatile work to date. The as-yet-untitled full-length is at once musically multifaceted, unabashedly brutal, and compellingly conceptual. First single, [“The Agony Seeping Storm”](insert video link), is a mathematically mind-blowing hybrid of bludgeoning death metal specializing in unconventional riffing that echoes the resemblance of legendary experimentalists like Cynic, Atheist, and Gorguts. A newly refreshed and reinspired lineup – vocalist Jonny Davy, guitarists Tony Sannicandro and Al Glassman, bassist Nick Schendzielos, and drummer (since 2020) Navene Koperweis – seamlessly pick up the mantle where Sun Eater left off.
Issues Davy, “‘The Agony Seeping Storm’ gives a slice of our upcoming concept record. Regarding the video, the band collaborated extensively with director K. Hunter Lumar (Digital Mile), while our bassist, Nick Schendzielos, co-directed. The concept was inspired by a close friend who embarked on a relentless quest for profound enlightenment through the incessant abuse of hallucinogenic drugs. However, as they delved deeper into their religious-like experimentation they began exhibiting symptoms of bipolar disorder and schizophrenia. They came to believe that they could access an alternate, esoteric reality through hallucinogenic intoxication, where they encountered gnostic and biblical figures and imagery. These songs reflect their thoughts, ideas, and experiences.”
Further info on JOB FOR A COWBOY’s new full-length will be revealed in the coming weeks. Stay alert!
JOB FOR A COWBOY’s official comeback show will take place at this year’s edition of Blue Ridge Rock Fest with additional live dates to be announced soon.
JOB FOR A COWBOY Live: 9/08/2023 Blue Ridge Rock Fest – Alton, VA
JOB FOR A COWBOY hails from Glendale, Arizona. Formed in 2003, the band’s debut album, Genesis, was released in 2007, peaking at #54 on the US Billboard 200 and selling 13,000 copies in its first week of release. The second album, 2009’s Ruination, sold 10,600 copies in the United States in its first week to debut at position #42 on the Billboard 200 chart! The band has been described by [The New York Times](insert The New York Times website link) as “an Arizona band with a guttural, brute-force sound descended (indirectly) from hardcore punk,” and a, “straightforwardly brutal act,” by [Rolling Stone Magazine](insert Rolling Stone Magazine website link). The band has appeared on numerous music festivals both stateside and abroad, including Sounds Of The Underground, Download Festival, Mayhem Festival, Summer Slaughter, Graspop Metal Meeting, and Wacken Open Air, among others.
Photo by Tom Couture
JOB FOR A COWBOY: Jonny Davy – vocals Al Glassman – guitar Nick Schendzielos – bass Tony Sannicandro – guitar
Prepare for a musical explosion as CATALYST, the Belgian metal band from Waasland, launches their dynamic single “FIRE IN THE ENGINE ROOM,” a teaser for their forthcoming album release show on September 9th at Kavka Antwerp.
Crafted as a powerful and critical reflection on society, “FIRE IN THE ENGINE ROOM” showcases a heavier and more intense sound than CATALYST’s usual repertoire. This track, part of their upcoming album ‘THE AGE OF ROCKETEERS,’ marks a significant step in the band’s musical evolution.
The single opens serenely, only to swiftly catapult listeners into a whirlwind of intense riffs and potent vocals by frontman Jeroen. The song’s dynamic nature intertwines speedy guitar passages with serene interludes. An unexpected funky medley halfway through adds an exciting twist, leading to an epic conclusion.
To celebrate the single’s release, CATALYST presents a thrilling music video created by guitarist Aäron. Compiled from live footage of their pre-release show in the ghost town of Doel in March 2023, the video mirrors the song’s energetic essence. Watch the video on YouTube, while the single is available on all streaming platforms.
Album Artwork: Designed by Lien Van Ranst, the artwork reflects the impact of space exploration on our generation and symbolizes social evolution.
Don’t miss the explosive album release show of ‘THE AGE OF ROCKETEERS’ on September 9th at Kavka Antwerp/Belgium!
Hailing from Belgium, CATALYST (2018) fuses elements of metal to address today’s societal fears and failures. With members spread across Waasland (BE), Hulst (NL), Sint-Niklaas (BE), and Lennik (BE), the band’s sound is fueled by political, economic, and ecological concerns. Following the end of the Heavy Metal project Gitaron, Philip Pedraza and Aäron Onghena decided to continue their musical journey. Joined by Benjamin Onghena and Jannes Lemaitre (ex-Titan, Patroness), they formed CATALYST. Later, vocalist Jeroen Van Ranst (Monomad) completed the lineup.
CATALYST released their first three songs in 2018, followed by “Sustainable Dignity” and “Fear Well” in 2019. Drummer Jannes Lemaitre left, replaced by Sam Bogaert (ex-Dead end Path, ex-Oceans Burning). In 2021, the band released “Rights of Passage,” paving the way for a full-length album reflecting on post-pandemic society and rocketeers’ reign.
Phantom Witch, the future of Bay Area Metal, is brewing up a storm in 2023 with the announcement of their highly anticipated sophomore album, “Forced to Worship.” As one of the best unsigned bands in the country, these thrash metal visionaries have carved out a prominent place among both legendary and contemporary Thrash greats.
The Bay Area thrashers left a lasting impression in the 2022 Wacken Metal Battle, reaching the national finals and solidifying their status as a force to be reckoned with. Thrash veteran Steve “Zetro” Souza hails Phantom Witch as the “Future of Bay Area Metal,” a testament to their unrivaled talent and potential.
“Forced to Worship” showcases Phantom Witch’s evolution, elevating their sound to new technical, melodic, and dynamic heights. This sophomore release promises to captivate metal enthusiasts and leave a lasting mark in the realm of thrash metal.
International thrashers PRAETOR are on a mission to deliver an electrifying and melodic onslaught of adrenaline-fueled THRASH METAL. With their debut album released on February 24th, 2023, the band is setting the metal scene ablaze, and their latest single “Pitch Black” is the third explosive release from the album.
Formed in 2019, PRAETOR is a powerhouse of experienced musicians who have spent over 12 years honing their skills in different bands before joining forces. Hugo, Noémie, Alex, and Sebastien draw inspiration from Bay Area Thrashers and other legends in the genre, having previously performed together in various tribute bands.
With a passion for creating metal mayhem and an arsenal of pure energy, these seasoned musicians are geared up to make a massive impact. PRAETOR made a thunderous debut in France and has since rocked stages across Luxembourg, Holland, and Germany.
As they prepare to embark on their first album tour, PRAETOR is already hard at work crafting new songs for their next metal conquest.
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