NOLA thrash and groove pioneers EXHORDER have unveiled their spring 2024 US tour schedule alongside Bay Area thrash legends VIO-LENCE, Virginian extreme metallers DECEASED, and LA death metal outfit MORTAL WOUND. The intense journey commences on April 5th in Cambridge, MA, reaching its zenith on April 13th in Chicago, IL. This upcoming tour follows the band’s recent winter venture with VIO-LENCE in South America.
EXHORDER shared their excitement about the impending tour, stating, “To share a bill with Vio-Lence on two separate tours this coming year is something that we are looking forward to immensely. We will join Deceased and Mortal Wound in the process of getting the evening started! Get off your couches and come support live music—if we can make it, so can you!”
Tickets for the tour are available now through the provided links.
About EXHORDER: Formed in 1986, EXHORDER’s journey has been thrilling yet tumultuous. After a twenty-seven-year hiatus following their final Roadrunner Records release in 1992, EXHORDER re-entered the scene with an album considered by many as a contender for the “Best Comeback Album” category. The band dropped Mourn the Southern Skies in October 2019 through Nuclear Blast Records. Despite lineup changes and the challenges of the 2020-2021 pandemic, EXHORDER has fought back to prepare another album for their iconic discography, set to be unveiled next year.
In the heart of Eastern North Carolina, where the neon lights glimmer like promises and the echoes of the 80s still resonate, a twisted harmony of nostalgia and darkness was brewing.
Jason, is a man with a penchant for the night. Ttransplanted to the city in 1986, andfinding solace in the ethereal tunes of Duran Duran and the haunting beats of Oingo Boingo wove his fascination with the night, where mysteries unfolded in the shadows. The radio waves whispered secrets of the city, leading him down a path where the line between light and dark blurred. His punk roots intertwined with the pulse of electronic music, forming a new rhythm in his soul. It was the night that beckoned him, the night that rivaled the day for his attention.
Chris is the voice behind Night Rivals, han insatiable desire for creation, and found his calling in the wild rush of a live show. A single song written while in high school revealed the exhilaration of the stage, and he embraced the power it held over his emotions. Drums and dreams became his constant companions, and the urge to make music grew stronger. When their paths converged, a new sound emerged. Their influences, wildly different yet curiously compatible, gave birth to a unique blend of synth, goth, pop, and disco. Night Rivals was born. Unafraid to explore the unknown, they became a rhythmic enigma in the city’s underground music scene. The name Night Rivals emerged from a labyrinth of ideas. The night held the power to rival the day, to stir the passions of those who longed for something more than the ordinary. The duo’s quest to bring the night to life resonated with the audience, and the name captured the essence of their music. But the road to recognition is never easy. They found themselves in a race against time, battling against other bands with the same dreams. The night was their ally, but also their rival, challenging them to stand out in a world cloaked in shadows.
In the dimly lit studio, the creative process unfolded. Jason, untrained but driven, crafted melodies from emotions. Minor scales became his voice, an outlet for his inner darkness. Chris, the restless musician, let the lyrics write themselves as he surrendered to the music’s whims. Their songwriting was not just an artistic endeavor; it was a conduit for their souls. The melodies were catharsis, a release of their deepest desires and fears. Each composition revealed a piece of their essence, haunting and mesmerizing in equal measure. Collaboration was both a gift and a curse. The studio witnessed moments of brilliance when their differences ignited sparks of creativity. But it also bore witness to clashes, where egos clashed like titans. In their pursuit of perfection, they learned that sometimes, it was the absence of a rigid plan that allowed the music to flow. Time constraints and progress markers only stifled their creative spirits. The night gave them the freedom to create without boundaries, where music became a form of therapy.
Music had the power to change the world. It held the ability to unite people, to convey messages that words alone couldn’t. The echoes of charity concerts from their youth still resonated in their memories, reminding them of the collective strength of music. As Night Rivals, they hoped to continue the tradition, to create music that touched hearts and minds. The journey was long and arduous, but they believed that the pioneers of change were out there, finding their voices through the music. Their music embodied the essence of the night, where emotions ran deep, and desires danced in the shadows. As they played their haunting melodies, their audience was transported to a realm where the night was both a friend and a foe. In the city of Chicago, where the neon lights whispered secrets and the night held its breath, Night Rivals left an indelible mark.
The story of Night Rivals was an unfinished symphony, a journey filled with haunting echoes of the night. Their melodies continued to echo through the alleys of the city, drawing in those who longed for the enigmatic embrace of the night. In the end, their music would remain a testament to the power of the night, a tribute to the shadows that hid the mysteries of life. Night Rivals, forever in pursuit of the elusive night, left their mark on the city’s music scene, echoing through time and memory. And so, the night continued to rival the day, as the music of Night Rivals played on, a haunting melody that transcended the boundaries of time and space.
10.28.2023 the album ‘Cinematic’ will be released on physical disc only, featuring various remixed hits of the last year. The next single, ‘Love Persuasion,’ was released in August. Additionally, we are working on a western US tour for November ’23..
For staying updated and connected, you can find them on Instagram and on Facebook.
Additionally, fans can listen to their music on various streaming platforms such as Apple Music, Spotify, YouTube Music, Tidal, and more.
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In the heart of Sheffield, a city known for its industrial past, Resistanz Festival emerged in 2011, carving a unique space in the music scene. This electronic music extravaganza was the brainchild of a passionate music enthusiast, driven by a deep love for genres like industrial, EBM, futurepop, synthpop, and power noise.
Resistanz Festival’s origins were humble but filled with ambition. It was born from the collaboration between the festival’s visionary and the renowned live music venue, Corporation. This visionary had been a fixture in Sheffield’s music scene for years, hosting club nights, live shows, and DJ sets since 2004. The festival was the natural progression, a dream come true, an opportunity to share a profound love for music with kindred spirits on a grander scale.
The festival’s niche focus on alternative electronic music was a response to the craving for diversity within the music festival landscape. In a world dominated by rock and metal festivals, Resistanz Festival offered something different. It was a celebration of electronic beats, a fusion of styles that spanned the spectrum from industrial grit to synthpop melodies.
Year after year, the festival took over the Corporation venue in Sheffield during the Easter weekend. This choice of location wasn’t arbitrary; it was a deliberate move to craft a unique atmosphere. The venue’s layout was ideal, with a main stage area, bars, an outdoor courtyard for food vendors, and a spacious warehouse for merch stalls. It transformed into one big after-party room as the night unfolded. A smaller second stage hosted fresh talent and DJs, while an upstairs area held untapped potential for future expansion.
But 2020 disrupted the festival’s rhythm. The pandemic struck, forcing a tough decision to reschedule. A year’s worth of meticulous planning and preparation hung in the balance. Resistanz Festival, like many events, faced uncertainty and disappointment. The resilience to reschedule for 2021 was met with another setback. The festival’s future hung in the balance as motivation waned.
However, the unwavering support of the festivalgoers, the passionate community that had grown around Resistanz, rekindled the flame. The decision to push forward to 2022 was a daunting challenge, requiring intense effort in a fraction of the usual time. Yet, against the odds, the festival returned, demonstrating the power of music to overcome adversity.
The lineup curation was a meticulous process. Balancing well-known acts with emerging talent was key. The festival aimed to offer an eclectic experience, drawing attendees with a blend of familiar favorites and new discoveries. Each year, the list of potential acts was refined and narrowed down to achieve this delicate equilibrium.
Resistanz Festival continued to evolve. A second room was introduced, featuring artists from genres like Chiptune, EDM, and Drum and Bass. This expansion opened doors to fresh experiences and brought diversity to the event, enriching the attendees’ musical journey.
Memories from past editions were abundant, but a few performances stood out. Acts like Celldweller, Alice In Videoland, Ultraviolence, Icon Of Coil, Savant, and Godflesh left indelible marks, embodying the festival’s commitment to excellence.
As Resistanz Festival looks to 2024, attendees can anticipate an array of musical diversity. Kanga, Zardonic, and Amelia Arsenic are just a glimpse of the talent gracing the stage. The festival’s legacy lies in its ability to connect artists with new fans, fostering growth and opportunity within the music industry.
Staying true to its roots while embracing change has been the festival’s guiding principle. Resistanz Festival is a testament to the enduring power of music to unite, inspire, and evolve. With each passing year, it forges its path, a beacon for electronic music lovers, and a testament to the resilience of the human spirit in the face of challenges.
To Deep Dive into the Resistanz Festival universe:
CZARINA, is more than a musician; she’s a multifaceted artist who paints her sonic and visual landscapes with unmatched creativity. Born in the Philippines and now based in Spain, her music defies easy categorization, blending symphonic dark electro, neo-pagan mysticism, gothic prog rock, darkwave, synthpop, and more. CZARINA’s work is a tapestry woven from animist mysticism, folklore, mythology, metaphysics, and gothic themes, creating a sound and visual experience that transcends genres.
Her journey into music wasn’t a typical one. She began as a young performer and Broadway enthusiast, but her passion later shifted towards dark alternative rock and industrial music. However, she temporarily paused her musical pursuits to build a successful career in fashion, leading her own company. Yet, the relentless ambition and eventual burnout made her realize that something vital was missing – her music. CZARINA made a life-altering decision to reignite her musical path five years ago, drawing from the rich tapestry of life experiences and perspectives she had accumulated.
The name “CZARINA” echoes her past endeavors in building “empires” and her transformative journey towards higher principles and grounded pursuits. It’s a name that carries a sense of regality, much like her shared birthday with the legendary artist Prince.
What sets CZARINA apart is her refusal to fit neatly into any musical box. Her latest record, “Arcana,” defies categorization, blending electronic and organic elements with ancient and modern sounds. Her compositions incorporate intricate rhythms, harmonic layering between orchestral and electronic instruments, and her powerful vocals. CZARINA’s music captivates with its authenticity and complexity, defying easy classification.
Her creative process is deeply influenced by her surroundings. Moving from the bustling New York City to the mystical landscapes of Galicia, Spain, profoundly impacted her sound. The ethereal beauty of the Costa Da Morte, where her house sits by the water, seeped into her music, especially on her album “Arcana.” Her music became a vessel for capturing the magic of her newfound home.
CZARINA’s artistic journey has had its challenges, but she’s learned that success in music doesn’t always follow a predictable path. It’s not a matter of being the best; it’s about finding the right audience and developing a dedicated following. Authenticity doesn’t need to compete; it resonates with those who connect with it.
Beyond her music, CZARINA believes in the metaphysical power of sound. Music is a healer, and she views her favorite artists as magicians and alchemists who know how to harness sound for profound experiences and healing. Frequencies and vibrations can dismantle the walls we build within ourselves and bring about transformation.
CZARINA is not just a vocalist; she’s a multi-instrumentalist, playing the piano/keys, synths, and guitars. Each instrument contributes uniquely to her music, whether it’s the piano as her primary composing tool or the guitar adding a distinct voice to her compositions.
She draws inspiration from artists like Tool, whose intricate rhythms and sound designs have influenced her approach. Trent Reznor of Nine Inch Nails and Bjork also inspire her to push creative boundaries while staying true to her own vision.
Her songs are open to interpretation, often holding multiple meanings and layers. For instance, “Wonderland” celebrates the magic of Galicia but also serves as a metaphor for the sacred wonder within all our lives, a reminder of the healing power of music.
Despite the challenges of a music career, CZARINA finds the most rewarding aspect in creating art that aligns with her vision and values. It’s about making something deeply personal and genuine. However, the music industry’s landscape is challenging, and artists often struggle to make a living. CZARINA believes in the power of authenticity and hopes for solutions to help independent artists thrive.
She actively supports causes that protect nature, the ocean, and wildlife, such as the Sea Shepherds. Nature and the environment hold a special place in her heart, and she advocates for their preservation.
Looking ahead, CZARINA aspires to tour the world and continue pushing her creative boundaries. Her music will evolve and progress, reaching more listeners and hearts.
In the coming months, she has exciting projects, including a cover song and music video, an epic music film for “The Fox’s Wedding,” and work on her third record, slated for release in 2024.
In the world of music, there are artists, and then there are visionaries who take their craft to a whole new level. Claudia Blackstar, a singer and music producer hailing from Birmingham, UK, undoubtedly falls into the latter category. Born into a world steeped in musical influences, Claudia’s journey has been one of transformation, self-discovery, and the relentless pursuit of artistic excellence.
Claudia’s enigmatic Stage Persona “Claudia Blackstar” draws inspiration from the world of scene arts, where performers take on distinct roles masked in mystery. Influenced by bands like Slipknot and Ghost, Claudia weaves a visual tapestry that transcends the conventional boundaries of music. It’s a unique blend of music and theater, a testament to her artistic depth. Claudia’s music isn’t just about the visuals; it carries a profound message. Her lyrics delve into the realms of wiccan beliefs, nature, and personal reflections, inviting listeners to embark on a journey of self-discovery. Each song is a poetic exploration, leaving room for interpretation and connection.
The journey to becoming Claudia Blackstar wasn’t a straight path. Claudia’s initial foray into music was through songwriting and demos. Still, her true understanding of music expanded when she ventured into the world of music production. It was a pivotal moment that allowed her to transform her ideas into tangible musical expressions.The name “Blackstar” itself holds a captivating allure. It’s a nod to Claudia’s fascination with the dark and mysterious, drawing from influences like Lucifer Morningstar. It’s a name that’s both evocative and concise, a perfect fit for her solo work.Claudia’s musical influences are a testament to her eclectic taste. Her playlist spans from goth legends like Bauhaus and The Sisters Of Mercy to contemporary artists like Evanescence and Linkin Park. It’s a rich tapestry of sounds that she effortlessly weaves into her music, creating a unique and authentic sonic experience.
When it comes to creativity, Claudia’s process is all about letting ideas flow. She thrives in a quiet environment, fully focused on the task at hand. It’s a moment of connection with her inner self, where inspiration takes shape. Joining electro-goth project Drop Beat Empire and alternative metal outfit After Dark was a turning point in Claudia’s career. These collaborations widened her artistic horizons, allowing her to explore different musical dimensions while staying rooted in her influences.
Collaboration in the music industry can be tricky, but Claudia approaches it with professionalism and alignment of tastes. She believes in maintaining a consistent line of work while embracing diversity in styles. Balancing creativity across various projects requires clear roles and boundaries. Claudia ensures that her solo work encompasses her full creative spectrum, while collaborations allow her to focus on specific aspects, depending on the project’s needs. Yet, the path of a musician isn’t without its challenges. Burnout, a common hurdle, is something Claudia grapples with. Her valuable lesson is the importance of giving time to oneself, a reminder that self-care is paramount.
Music, for Claudia, is a powerful tool for change. It has the ability to impact lives, but its effect depends on the willingness of the audience to embrace the message. While smaller artists like Claudia may have a more localized impact, they still inspire change within their communities. Instruments like the keyboard and guitar play a significant role in Claudia’s music. They serve as tools to translate her ideas into melodies and arrangements, enhancing the emotional depth of her compositions.
Influence is a two-way street. Claudia’s singing approach, inspired by artists like Amy Lee, is characterized by a passionate delivery. It’s a passion that resonates throughout her music, an embodiment of her artistic individuality. Claudia’s lyrics, often poetic and rooted in her dark insights, carry stories waiting to be discovered. While there may not be hidden meanings, there are tales to be told, some abstract, others direct, all wrapped in her unique perspective.
The most rewarding aspect of being a musician, according to Claudia, is knowing that her work connects with someone out there. It’s the joy of making that emotional bond, even if it’s with just one person. However, the challenges of dealing with burnout are real, as time becomes the most precious resource. Claudia doesn’t just create music; she fosters a community of fellow artists. Her platform encourages and inspires others to pursue their creative endeavors, fostering a sense of togetherness.
Looking to the future, Claudia remains rooted in the present. She can’t predict what lies ahead, but as long as inspiration flows and people believe in her work, she’ll continue to evolve as an artist and as a person. As for upcoming releases, Claudia keeps her projects close to her chest, but she has announced her debut album, “Visions Of The Moon,” which promises to be a mesmerizing journey into her artistic world.
To stay updated and connected with Claudia Blackstar’s latest work, visit The Claudia Blackstar Official Instagram. or The Claudia Blackstar Official LinkTree You’ll find links to her YouTube, Bandcamp, and Spotify, among others. Join her on this enigmatic musical voyage, and discover the depths of Claudia Blackstar’s artistry.
Norwegian death metallers, CADAVER, have finally released their long-awaited sixth studio album, “The Age Of The Offended,” via Nuclear Blast Records. True to the band’s primitive roots and an audacious, ground-breaking, psychedelic horror show, the album is an angry, fucked up album for angry, fucked up times, defiantly created against the odds.
Check out the lyric video for the menacing track, ‘Deadly Metal,’ here:
Stream “The Age Of The Offended” here: Stream Album
For “The Age Of The Offended,” the band compiled footage about today’s climate of everyone being offended and what it means to music and art. The first episode discusses the band’s legacy, being involved in the Norwegian Extreme Metal scene, and takes fans around Oslo on the ‘Black Metal Bus Sightseeing Tour.’ Watch CADAVER TV Episode 1 – the ‘Black Metal Tour Oslo’ here:
“The Age Of The Offended” was recorded at Daufembach Studio, Villa Necro, Studio Tomb, and Studio Studio. Adair Daufembach was responsible for producing, engineering, mixing, and mastering. Kjartan Hesthagen also assisted with the engineering, working in tandem with the band and Adair. The band enlisted Fleshflies to create the artwork for “The Age Of The Offended.”
The UK’s heavy metal machine SYLOSIS unveils the title track of their brand-new album, ‘A Sign Of Things To Come’. The new song speaks from Josh Middleton’s position as a new father and his fears of the world that his children will one day inherit.
Josh comments “‘A Sign Of Things To Come’ is a declaration of dismay towards the modern world. It’s about the anxiety of what the future holds and the feeling of division in a society where everyone is pitted against each other. This was the last song to be written for the album. It quickly became apparent that this was going to be one of the biggest, most anthemic songs on the record.”
Produced by Josh Middleton, alongside production legend, Scott Atkins, A Sign Of Things To Come has challenged SYLOSIS into brand-new territory.
“This is the first time I’ve allowed myself to be produced; taking on some brutal criticism and pushing myself to deliver the best vocal performance of my career. I’m a big fan of progressive and long albums, but I was ruthless on myself during the whole process. I think that shows in the final result on the record!” Josh states.
SYLOSIS is on tour this winter with fellow UK metal giants, MALEVOLENCE on the dates below.
26 Aug – SE, Rättvik – Dalhalla Brinner Festival* 07 Nov – UK, Glasgow – Garage 08 Nov – UK, Manchester – O2 Ritz 09 Nov – UK, Birmingham – O2 Institute 10 Nov – UK, Bristol – SWX 11 Nov – UK, London – O2 Forum Kentish Town 13 Nov – DE, Hamburg – Gruenspan 14 Nov – DE, Koln – Essigfabrik 15 Nov – BE, Antwerp – Zappa 17 Nov – FR, Paris – Petit Bain 18 Nov – FR, Besancon – La Rodia 19 Nov – FR, Lyon – CCO La Rayonne 22 Nov – ES, Madrid – Mon Live 23 Nov – ES, Barcelona – La 2 de Apolo 24 Nov – ES, Bilbao – Stage Live 25 Nov – FR, Toulouse – Usine A Musique 26 Nov – CH, Geneva – PTR 27 Nov – CH, Zurich – Dynamo 28 Nov – IT, Milan – Legend 29 Nov – SI, Ljubljana – Orto Bar 01 Dec – AT, Vienna – Flex 03 Dec – DE, Chemnitz – AJZ Chemnitz 04 Dec – DE, Frankfurt – Batchkapp 05 Dec – DE, Munich – Backstage Halle 07 Dec – CZ, Prague – Meet Factory 08 Dec – PL, Krakow – Kamienna 12 09 Dec – PL, Warsaw – Hydrozagadka 10 Dec – DE, Berlin – SO36 Berlin 11 Dec – DE, Oberhausen – Kulttempel 12 Dec – NL, Tilburg – 013
Metal Blade Records / Blacklight Media Records is proud to announce the upcoming release of “Errors,” the highly anticipated sophomore album by metallic hardcore outfit Capra. Scheduled to drop on October 6th, the record promises to build on the band’s compelling debut, featuring raucous energy, frantic riffs, and the raw, soul-searing vocals of Crow Lotus. The new single and video, “Tied Up,” give a glimpse of the band’s evolution, showcasing stronger songwriting and an unwavering determination to push boundaries.
Capra’s “Errors” was recorded at Estuary Recording Studios in Austin, Texas, with Andrew Hernandez. Taylor Young handled the mixing, and Brad Boatright mastered the album. As the band continues to evolve, they maintain their hardcore roots while adding elements of metal, creating a sound that resonates with raw emotion and authenticity.
The album also features notable collaborations, with Walls Of Jericho’s Candace Kucsulain-Puopolo lending her distinct vocals to “Human Commodity,” and Dustin Coffman from Glassing adding backing vocals to several tracks. The closing track, “Nora,” showcases a different side of Capra, with producer Hernandez contributing piano, creating an atmospheric and haunting experience.
Capra is eager to hit the road and connect with their fans, showcasing the new material live. They will embark on tours in North America and Europe, and their energy and passion are sure to leave an indelible mark on the audiences.
Join Capra on their musical journey as they present “Errors” on October 6th, available on CD, red/white marble vinyl, smoke vinyl, and digital platforms.
Tracklist:
CHSF
Tied Up
Silana
Trauma Bond
Loser
Kingslayer
Human Commodity
Transplant
Obligatory Existence
Nora (Last Call)
Capra European tour dates:
July 28, 2023: Montendre, France @ Salle Claude Augier
July 29, 2023: Albi, France @ Xtreme Fest
Aug. 1, 2023: Velenje, Slovenia @ Metaldays
Aug. 2, 2023: Barcelona, Spain @ Sala Estraperlo
Aug. 3, 2023: Santander, Spain @ Rock Beer The New
Aug. 4, 2023: Oviedo, Spain @ Sala Gong
Aug. 5, 2023: Vigo, Spain @ Pub Transylvania
Aug. 6, 2023: Madrid, Spain @ Sala Silikona
Aug. 9, 2023: Munich, Germany @ Backstage
Aug. 10, 2023: Jaromer, Czech Republic @ Brutal Assault
Aug. 11, 2023: Burglengenfeld, Germany @ VAZ Pfarrheim
Aug. 12, 2023: Oberhausen, Germany @ Helvete
Aug. 16, 2023: Dinkelsbühl, Germany @ Summer Breeze
Aug. 17, 2023: Vicenza, Italy @ Birrificio San Giorgio
Aug. 18, 2023: Francavilla Al Mare, Italy @ Frantic Fest
Aug. 19, 2023: Modena, Italy @ Pignoletto Fest
Aug. 22, 2023: Hannover, Germany @ Bei Chéz Heinz
Aug. 23, 2023: Hamburg, Germany @ Bambi Galore
Aug. 24, 2023: Osnabrück, Germany @ Bastard Club
Aug. 25, 2023: Neunkirchen, Germany @ Stummsche Reithalle
Aug. 26, 2023: Wörrstadt, Germany @ Neuborn Open Air
Capra USA tour dates with Zao and Your Spirit Dies:
American metal quintet, WRETCHED, has joined forces with Metal Blade Records for the release of their highly anticipated 5th full-length album. Stay tuned for more details, and be sure to follow the band to stay up to date on all things WRETCHED.
The band shares their excitement, stating, “It is with great excitement that we announce the official return of WRETCHED! We’ve signed on with Metal Blade Records, and we’re both eager to bring new material to you. Stay tuned.”
About the Band: Formed in 2005 in Charlotte, North Carolina, WRETCHED made their mark with their signing to Victory Records in 2008. Since then, they have released four full-length studio albums: “The Exodus of Autonomy” (2009), “Beyond The Gate” (2010), “Son of Perdition” (2012), and “Cannibal” (2014). After years of touring and recording, WRETCHED is back with new music and is currently writing for their debut release on Metal Blade Records.
“We’re beyond excited to hit the stage and share all of the new music we’ve been creating,” commented the band. “We’ve worked on numerous things in the last years and are excited to let this stuff out into the wild. We’re currently writing for our debut release on Metal Blade, and we can’t be more honored to be able to work with some great people, make some fun music, and hang with our friends and fans out on the road!”
Melbourne-based blackened deathcore group MÉLANCOLIA shares the video for ‘HissThroughRottenTeeth,’ the title track from their debut album released on April 21st via Greyscale Records and Nuclear Blast Records.
‘HissThroughRottenTeeth’ immerses listeners in a torturous tale of birth, life, and death, chronicling a fallen deity cast down from a godly realm and met with the punishment of reincarnating as a human with a wealth of knowledge yet stripped entirely of power.
MÉLANCOLIA showcases their live performance later this month as they support TO THE GRAVE on the Destroy All Lines presented ‘Director’s Cuts East Coast Tour.’ The band will also make their first festival appearance at Adelaide’s Froth & Fury Festival in November.
After establishing themselves with the single ‘Horror_Ethereal,’ MÉLANCOLIA signed with Greyscale Records for Australia and New Zealand and Nuclear Blast for the rest of the world. Their unique sound and thematic inspirations have catapulted them to new heights in the metal scene.
HissThroughRottenTeeth is streaming everywhere via Greyscale Records and Nuclear Blast.
MÉLANCOLIA Live Dates
07.28. AU: Sydney – Crowbar
07.29. AU: Melbourne – Stay Gold
08.04. AU: Brisbane – Brightside
09.12. AU: Perth – Magnet House (Supporting Cattle Decapitation)
09.14. AU: Adelaide – Lion Arts Factory (Supporting Cattle Decapitation)
09.15. AU: Sydney – Metro Theatre (Supporting Cattle Decapitation)
09.17. AU: Canberra – The Basement (Supporting Cattle Decapitation)
09.15. AU: Brisbane – The Triffid (Supporting Cattle Decapitation)
In an impressive feat, the band collaborated with The Ultraterrestrial Choir, a 233-voice ensemble made up of fans, friends, and family from around the globe. Each choir member’s contribution was multitracked, resulting in thousands of vocal tracks layered together.
Guitarist Per Nilsson expressed, “‘Xenotaph’ concludes Phase II in an open-ended way, leaving the listener on a bit of a cliffhanger musically as well as lyrically. We felt strongly that ‘Xenotaph’ deserved its own music video, to bring closure to this second part of our Singularity saga and showcase the song to the fullest, and put the spotlight on our amazing, crowd-sourced choir – it is definitely not the last time we will call upon our fans to sing with us!”
Watch the captivating music video for ‘Xenotaph’ here.
You can stream and purchase The Singularity (Phase II – Xenotaph) here.
SCAR SYMMETRY 2023 Live Dates
22.07.23: FI – Laukaa, John Smith Open Air
28.-29.07.23: DE – Heimburg, HMN Festival
03.-05.08.23: SE – Rejmyre, Skogsröjet
12.08.23: FIN – Helsinki, Hellsinki Metal Festival
Harm’s Way, known for shaping heavy music’s trajectory, announces their latest album “Common Suffering,” slated for release on September 29 via Metal Blade Records. The album showcases a diverse musical journey with memorable riffs and breakdowns. The lead single, “Silent Wolf,” explores themes of distrust in governing bodies and societal inertia.
Despite their reputation for brutality, “Common Suffering” surprises with quieter moments, demonstrating expert songwriting that emphasizes light and shade. The band recorded the album with producer Will Yip at Studio 4 in Pennsylvania, leading to an ambitious sound and pushing new creative boundaries.
The album delves into collective experiences of chaos, misanthropy, and political upheaval. Tracks like “Cyanide” examine the impact of media outlets and disinformation. Kristina Esfandiari’s haunting vocals on “Undertow” add a unique dimension to the record. Pre-order/pre-save options are available here.
Common Suffering Track Listing:
Silent Wolf
Denial
Hollow Cry
Devour
Undertow
Heaven’s Call
Cyanide
Terrorizer
Sadist Guilt
Wanderer
Variants include: Digipak CD, Grey / Black Marbled Vinyl (US Exclusive), Clear Smoke Vinyl (US Exclusive), Fog Marbled Vinyl (US Exclusive), White / Black Marbled Vinyl (EU Exclusive – Ltd. 500 copies), Silver Vinyl (EU Exclusive – Ltd. 500 copies), Crystal Clear w/ Black Dust Vinyl (EU Exclusive – Ltd. 300 copies), “Black Hole” w/ Red & White Splatter Vinyl (EU Exclusive – Ltd. 300 copies).
Catch Harm’s Way live on September 22 at Mississauga’s Hold Your Ground Fest, with more dates to be announced.
The Star is a awesome and interesting composition diving deep into the dark truths of technology and society.
The Star Release Schedule is as follows: Bandcamp digital release on July 24, 2023, followed by the CD/USB release on August 21, 2023, and finally the vinyl/tape release in November 2023.
The album’s title was originally ““The Bastard Gods””, but in a twist of perfect irony it was redacted to become “The Star””, because due to current social media algorithms not allowing the use of words such as “Bastard” or the word “Gods”
The lyrical content of the album, explore the effects new technology does and also will have on our psychology through personal and other social interactions, our access to factual news and emerging technolgies influence on the way we vote, as well as exploring the ever-widening class system, and swiftly emerging underclass.
“The Star” questions the increasing influence of social media algorithms as it affects how we perceive the world, what we call “truth”, “facts”, and what we support and shun through our biased and ignorant support of cancel culture.
Zoog says; “The only thing these algorithms care about is keeping users engaged, enraged and buying more disposable trash. The happiness and tragedy you share is merely content to help it achieve the desired goal. Either you play the game, or you don’t exist. I don’t see “light & dark” or “wolves & sheep” anymore, just angry animals trying to ruin each other with disinformation and hate campaigns, and now we have an increasing influence from artificial intelligence; the future is now, and it’s getting very interesting.”
A quick review of “The Star”
1 The Greatest Trick is a informative song about religion, where the point of the track is to tell you it’s a manipultaion.
2 Jump For Joy, A positive song about social activism, “If you’ve done nothing wrong, You have nothing to fear” while communicating that there is no superman, and you can only save yourself from society through self- awareness, and social activism, because the bleak future is about not owning things, and sharing everything which makes us individuals, and those behaviors will cause us to be “happy”.
3 Do The Spin is a slower song than previous tracks about ideology, through technology, and embodying Issac Asimov “Electric Sheep” rhetoric.
4 Sentient, when cyberpunk meets sega, featuring the awesome work of Dave Nato om drums, is a track about the future implications of technology on society.
5 The Game Is Stupid is a down tempo, sludge and doomy piece, which definitely features the Blaster Beam prominently on this track.
6 Tyranny Of The Beat is a upbeat melodic and very dance-able tune, with distorted hardstyle-type bassdrums. The track is about how the media twists and embellishes modern reality, to fit the corporate agenda, and misleading the masses to make incorrect choices, altering our future capacity as humans, to care deeply for ourselves, each other, and for the health of the planet.
7 LockJaw56b, a instrumental tune, prominently featuring both Dave Nato’s syncopative percussion, and The Blaster Beam, which i find to be very creative and evolved compared to Angelspits previous discography.
8 Art Imitates War asks is ignorance bliss ? This track asks the pressing questions, on the lifestyle difference between “modern” society, and a third world country.
9 Pay The Butchers Bill, is a song about how all things come due.
Number 9 is a nice change of pace from the previous track, and very nice track arrangement on the album. Most of the previous songs have been uptempo, fast and aggressive sludgy, doom, and downtempo.
10 Feed The Hungry Ghost is back to the fast paced and exciting uptempo synthesis Anglespit is recognized for, with the hook being “Don’t Sleep”. The Blaster Beam featured again promintently, staring in this this track from the beginning.
11 Posessed By A Demon is a harsh, but etheral and fast tempo arrangement, evocative of punk music, with a skank dance attached, expelling the hazards of being controlled by consumerism, modern corporate brands, and being manipulted by advertising.
12 The System changes the pace again, slowing down the vibe, and ensuring the listener is consciously aware of the content: manifactured capatialism, and the relentless corruption which is inherent in a capitalist society.
13 Jesters Priviledge is the last track, and leaves us with thoughts and wishes we all have from time to time: Are we human, or are we machine ?
What seperates those lifestyles, and what do they enatil in our society, being treated as less than human, a number, a self-centered numb sub-human, because to stand out, be yourself, and to be vulnerable, is a captital crime worthy of being prosecuted and judged by cancel culture.
What seperates those lifestyles, and what do they enatil in our society, being treated as less than human, a number, a self-centered numb sub-human, because to stand out, be yourself, and to be vulnerable, is a captital crime worthy of being prosecuted and judged by cancel culture.
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